Heartbreak oder Jagged Little Thrill verГ¶ffentlichten.

Kings of RnB Vol.9 presents Jagged Edge & 112 Nach ganzen sieben Jahren wieder mit dabei sind die RnB Veterane Jagged Edge, die mehrfach Platin ausgezeichnete Alben wie J.E. Kings of RnB Vol.9 presents Jagged Edge & 112 Nach ganzen sieben Jahren wieder mit dabei sind die RnB Veterane Jagged Edge, die mehrfach Platin ausge Singles wie Where The Party At zusammen mit Nelly oder Walked Outta Heaven sitzen bis heute noch im Kopf eines jeden Oldschool RnB Liebhabers. Unfortunately, it is hard to embrace these strengths on such a predictably unfocused album.Kings of RnB Vol.9 presents Jagged Edge & 112 Nach ganzen sieben Jahren wieder mit dabei sind die RnB Veterane Jagged Edge, die mehrfach Platin ausgezeichnete Alben wie J.E. Nicki MinajвЂ™s verse on вЂњLilвЂ™ FreakвЂќ is a surprising left turn for an Usher album, embracing the recent bisexual trend in pop music led by Lady Gaga. Much of the production is surprisingly well-done, aside from one of the worst will.i.am tracks, вЂњOMGвЂќ, in recent memory, where he decides to auto-tune UsherвЂ™s vocals over a recycled вЂњI Gotta FeelingвЂќ disco beat. If all of these songs are to be taken autobiographically, then Usher is indeed a classic satyr, but that is not relevant to the discussion of the music. вЂњGuiltyвЂќ pleads with his ex-wife to not send him to jail, then features T.I., who just got out of jail. IIIвЂќ, as it simply states that Usher has been fooling around with mistresses, yet again, after apologizing on an album from six years ago. вЂњFoolinвЂ™ AroundвЂќ could easily be titled вЂњConfessions pt. This constant switch of theme and mood plagues the entire album, with only three songs truly embracing the theme of breakup and divorce: вЂњPapers,вЂќ вЂњFoolinвЂ™ Around,вЂќ and вЂњGuilty.вЂќ вЂњPapersвЂќ is likely the strongest of these, an R&B song with no frills and strong production. While Jimmy Jam and Terry Lewis do some of the best production work on the album here, the songвЂ™s lyrics start the album off on an awkward foot with UsherвЂ™s typical club prowling: вЂњYouвЂ™re looking lonely, and youвЂ™re longing for a lover/YouвЂ™ll know IвЂ™ll be here all night.вЂќ Then the computerized voiceovers come in, characterizing Usher in a few words as вЂњcaptivating,вЂќ вЂњsuperstar,вЂќ and вЂњseductive,вЂќ and quite simply, вЂњsex.вЂќ After more hushed voiceovers and ambient drones, a four-on-the-floor beat develops, and synth strings form the backing accompaniment for UsherвЂ™s trademark vocals, which have not diminished at all. ThereвЂ™s one side thereвЂ™s the other, and then thereвЂ™s the truth.вЂќ In these immediate ten seconds, it seems like Usher has something up his sleeve, a real focused album.

On вЂњMonstar,вЂќ the album starts high-concept, with UsherвЂ™s spoken word offering the dictum: вЂњThere are three sides to every story. He moved onto Here I Stand, which broke away from the breakup theme, and focused on what Usher does best-crossing R&B vocals with hip-hop production to create hits like вЂњLove in This Club.вЂќ Unfortunately, Usher has suffered another breakup since then-this time a high-profile divorce with Tameka Foster-and has returned to the style of Confessions. Confessionsalso included вЂњYeah,вЂќ so UsherвЂ™s credibility on this apology seemed shaky even at the time. The song is, essentially, an apology letter, and Usher promises to clean up his act. 2вЂќ, in which Usher confesses to impregnating a mistress of his.

Songs included the provocative вЂњConfessions Pt. Yet, in concept, his latest album seems to be more of a follow-up to the double-platinum Confessions, in which Usher profiled the breakup between him and Chilli of TLC. Raymond as his sixth full-length album and the follow up to 2008вЂ™s Here I Stand. So seems the case for Usher Raymond IV as well, who releases Raymond v. Again.ДЄ rather gregarious friend of mine once said: вЂњI donвЂ™t write love letters. Review Summary: There are three sides to every story.

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